The death of Colossus, reprinted here for the first time! For too long mutants were threatened by the twin specters of the Legacy Virus and anti-mutant politics. Now, the X-Men hope to end both threats, but at what cost to their oldest and dearest? Are there deaths from which even the X-Men can't return? Featuring Mystique, Cable, and the last issue of Bishop's solo series! Collects Uncanny X-Men #388-390, Cable #87, Bishop #16 and X-Men #108-110.
Customer Reviews:
Avg. Customer Rating: 2.5 / 5.0
Startling terrible:
I can barely slog my way through this book. Heavy on dialogue, light on sense, plot, story. This is the reason that the X-men needed a reboot, which thankfully was done by Grant Morrison and Joss Whedon. This book is a horrific collection of stories written by Chris Claremont, Scott Lobdell, sadly, Robert Weinberg and Joe Pruett, both of whom show much more talent when not doing X-men comics.
Very Morbid book:
Not just Collosus dies in this book. This book is full of death of long time x-men characters. As for quality, this book seems typical of the late 90s art styles.
I don't know if it was for all of them, or just a defect on mine, but on a few pages there were errors of printing, that the word bubbles on 2 pages were flipped. It's on ok book, but there are lots of better X-books out there. The final issue of the book, with Kitty Pryde delivering Peter's ashes to Russia is 5 stars by itself.
good read:
If, like me, you've followed the x-men stories from the beginning you'll probably enjoy this little arc, the story is pretty much classic x-men, aliens, overly-dramatic relationships, a bit of odd mysticism, nothing surprising or new here, the art is good, Emma Frost(much as I despise her) is particularly well-drawn, and the little twist in the Rogue/Wolvie relationship is worth the price of the book, hell the cover alone is worth it. If youre new to the x-men universe there are definitely better stories to... more info
A rare miss by Milligan:
If you're a fan of Peter Milligan, as I am, you may want to skip this trade (and in fact his entire run on X-Men). It is nothing like X-Factor/X-Statix, and nothing like his Vertigo work. Quite frankly it's awefully similar to every other X-Men writer since Lobdell that can't really find their own voice and just try to take the Claremont formula and throw some EXTRA angst and in-fighting in. Granted, this story has a reason for more in-fighting than usual, but still... this is merely middle of the road,... more info